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The essential goal was to define a standard for color management. The International Color Consortium (ICC) was formed in 1993 as the ColorSync Consortium, with Apple Computer as the driving force, and including Sun, SGI, Microsoft, Adobe, Agfa, and Kodak. ICC profiles are meant to provide a standard approach to the professional’s color management needs. If you were a photographer who dealt with two or more service bureaus, for example, you would have to maintain a separate closed-loop calibration for each service bureau. Traditionally this has meant relying on closed-loop calibration - calibrating one specific piece of equipment with another - and on proprietary color management schemes that vary from one product to the next. Historically, professionals in such areas as graphic arts, photography, and prepress work have been the groups most concerned with color management in digital photos, graphics, and the like. The short form is that ICC Profiles are for professionals, sRGB for consumers, and scRGB for home-savvy ‘prosumers.’ But, of course, there’s a lot more to it than that. As such, it helps to know what each of these tools was designed for. The best way to understand the relationship between ICC profiles, sRBG, and scRGB is as complementary tools performing similar tasks under different conditions - the same way that a paring knife, a steak knife, and a bread knife are all cutting tools, with each one working best for a different kind of cutting.
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